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Solar House - Magic Of the City (LARCD-005)

Breaking out of Glasgow, Solar House makes its highly anticipated album debut with Magic Of The City. This is a sophisticated release that combines elements of Nu-Jazz, House, Trip Hop, Disco and Soul to create a smooth and sensual musical backdrop for modern urban living. The hit track Got 2 B U (featured on Naked Music's Nude Dimensions 2 and Café Del Mar's Chill House 2) is here as well as the latin-house smash Universal (currently licensed to MTV - The Real World). Vocalist Angie Reid's dreamy soprano, reminiscent of Billie Holiday, floats over producer/keyboardist Calum Walker's rhodes-heavy riffs on tracks such as Rescue Me and the title track Magic Of The City. Trip Hop fans won't be disappointed either as Don't Pass Me By gives a raw, gritty downtempo flavor. This is a terrific release for fans of Zero 7, St. Germain, and Naked Music.

Orion Ray-Jones | Big Shot Magazine | Premier Issue
Calum Walker's Glasgow-based collective brings a healthy dose of jazz to their house, downtempo and future soul. The expertly crafted dreamy chords, heartfelt vocals and dubby baselines provide the foundation of this emotionally intense album. A few of these songs have been gracing dancefloors and lounges for some time, and the new tracks nicely complete the album, making it perfect for showing off your musical sophistication to friends. (4 stars)

Darren Wall | DMC UK February24th, 2003
Whether it's something in the water, or it's all that Irn Bru, there's definitely something about Scotland and turning out deep soulful club sounds. After previous involvement with Fresh & Low, and a slew of single releases for Large as Solar House, Calum Walker's full length album debut is positively over-flowing with jazzy sounds and stylish rhythms, picking up where the classic 'Got 2 B U' left off, and building on that vibe even further. The lush 'Rescue Me' opens the album, a late night house sound benefiting from the emotive vocals of Angie Reid. 'Don't Pass Me By' is a whimsical, downbeat jazz-funk piece, displaying Walker's musical background, and - to it's credit - is what makes the album more appealing than most. Musically, it's equally at home providing seductive deep house like 'Universal' or 'Power Of Sound', or funky nu-jazz such as the title cut or 'Paradise'. Thoroughly addictive urban sounds. (4.5 out of 5 stars)

Phil Collins | In the Mix - Australia
Breaking out of Glasgow, Calum Walker has been traversing the house scene since for a number of years now collaborating with David Robertson as Fresh and Low. Among other releases, Fresh and Low are most famous for the Wind on Water EP, considered by many to be a deep house classic. When Calum and David became involved with Large Records in 1999 (legendary US house label), they formed Solar House.

The sound of Solar House can be described as deep house, with its roots firmly planted in funk and a stoned-out take on jazz. They blend in elements of latin house, trip hop, disco and soul creating a smooth and sensual deep lounge landscape. Solar House's tracks features various vocalists one of which is Angie Reid who offers a dreamy soprano, reminiscent of Billie Holliday. The group tends to use vocals to add to the texture of the sound without dominating it, avoiding the cheesiness that can result from house overly dominated by vocals.

Universal, is an excellent example of Solar House's use of funk and jazz to produce an infectious groove. The group injects chords into the mix that are extremely catchy and instantly feel familiar. This track features on Germany's Compost Records' Future Sounds of Jazz 7.

Power of Sound, stands out for me as a brilliant deep house track. For me good deep house takes the listener right out of their head and this track does just that. The bongos and bass line drive an infectious groove, while samples of birds are layered subtly layered over luscious chords taking the listener into a wild party going on deep inside a rainforest.

Solar House give Paradise a loungey disco feel with uplifting sustained chords played over a funky bass line. This track showcases the groups' bottomless well of creativity as the track takes on an almost improv jazz structure with novel instrumental lines drifting in and out of the scene. I found it easy here to imagine I was way down under the sea smoking cigars with a pink octopus wearing purple tentacle socks laden with gleaming rhinestones and sitting with much confidence (maybe that was an image better kept to myself!).

Groove Me has a more up-tempo beat featuring vocals ranging from deep Barry White-esque to the flighty and loungy. The title track offers a busier acoustic jazz feel with Angie Reid providing her gorgeous, uplifting vocals. Rescue Me has a more mellow ambient funk while Don't Pass Me By is a great example of the group's balance between acoustic and electronic sounds.

Overall "Magic of The City" is surprisingly consistent, with each track offering novelty and its own unique feel. The result is an infectious sound that will win over many hearts. I anticipate that this album will be one of the most well received deep house releases this year.

Wiseblood | M8 Magazine (April 2003)
This is Glaswegian Calum Walker's debut album - hard to believe as he has been carrying the torch for deep house for years. But what a delight it is! While rounding up some of his previous work for Chi-town label Large, (including the huge 'Got 2 B U') there's a plethora of new jams too. Just check the sumptuous title track, rolling out the jazz riddim and bass under the smokey vocal, picking up a house groove and just rocking the spot with consummate ease. A definite contender for my album of the year, beautifully written and produced and reeking of soul - destined to fire this producer into the big league, surely. (8 out of 8)

Cal Gibson | Muzik (April 2003)
What is it that links Glasgae and Chitown? While fellow Scot, Paul 'Deep Sensation' Hunter has had a long standing dalliance with Guidance, Calum Walker's Solar House project has for a good while now been backed by Chicago's other quintessential deep house label, Large. 'Magic of the City' is as poised and articulate as an evening in with Noam Chomsky. From old twelves like 'Got 2 B U' and 'Universal' to the Rhodes-fuelled funk of the title cut and 'Paradise', it's a mature, crafted swing through bar-friendly moods and grooves that will sound particularly sweet come the summer months. Less cunty than David Blaine and not as bald as Paul Daniels: that's the magic of the city. (4 out of 5)

Mark Moore | Blues & Soul (#888 25 February 2003)
Hailing from Glasgow, this is Solar House's debut album produced by Callum Walker. There are nine quality genre defying cuts blending influences from disco, house, trip hop, soul and nu-jazz. "Magic Of The City" opens with the deep house jam "Rescue Me" featuring Angela Reid, next up is their classic hit "Got 2 B U" with its live funky bassline and satisfying deep house vibe. The quality continues through the title track marrying the stunning vocal of Angela Reid with horn riffs and deep chords. "Paradise" has a funky flange guitar laid over a deep groove while "Power of Sound" is a melodious and subtle Latin based track with minimal percussion. This is magic Paul Daniels would be proud of. No wonder Solar House have been instrumental in shaping the sound of artists like Miguel Migs, Joe Claussell and Julius Papp. (4 out of 5)

 

For Your Eyes And Ears Only...


LARCD-005 CD Cover
  1. Rescue Me
  2. Got 2 B U
  3. Don't Pass Me By
  4. Universal
  5. Magic Of The City
  6. Paradise
  7. Power Of Sound
  8. Groove Me
  9. Hot Tamale